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Showing posts with label Hollywood Communists. Show all posts
Showing posts with label Hollywood Communists. Show all posts

Tuesday, October 11, 2022

Why is leftist entertainment divisive?

 

Poor Man Survival

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ISSN 2161-5543

A Digest of Urban Survival Resources

 

 


Why is leftist entertainment divisive?

 When was the last time you saw an original story out of Hollywood that was worth watching? When was the last time you experienced creative storytelling that did not involve the co-option and retelling of previous work? When was the last time you saw a relatable, interesting and endearing protagonist? Hell, when was the last time you were actually excited to go to the movies or relax in front of the television to watch something new?

Reboots, soft reboots, remakes, live-action remakes, re-imagining, gender-swapping, race swapping, "rainbow washing" (making classic straight characters gay for virtue signal points): This is a list of new media tropes that have invaded entertainment in the past 6 years and all of them have been used so frequently that productions can now be identified as woke propaganda by a mere two-minute trailer.

The formula works something like this:

1) Co-opt a classic franchise or character that has preexisting audience appeal.

2) Market the new film, TV series, etc. as a return to nostalgia to get audiences excited.

3) Get rid of as many straight, white, or male characters as possible and replace them with token diversity. (Also for some reason they like to get rid of all the redheads).

4) Portray men as weak and incompetent. Portray white people as stupid or racist. Portray black people as constant victims. Portray women with overtly strong masculine character traits, but also as victims.

5) Make sure there is a perfect pie chart of ethnicity in every single scene despite the statistics and demographics of a place or time. It doesn't matter if a story is set in an ancient Viking village in the north of Europe or in the elitist estates of Victorian England, minorities must be represented as main characters despite all historical facts.

6) If a classic male character cannot be changed without alienating potential customers from spending their money, pretend he is a major part of the story to trick people into theaters, then make him weak and pathetic, the opposite of a hero. Or, just kill him.

7) Steal plot points, story beats and even dialogue directly from other more creative films and productions. Pretend you came up with all that stuff on your own. Or, do a reboot, and copy an older production directly while adding your own woke changes wherever possible.

8) Now, market the product as a "re-imagined version" updated for "modern audiences."

9) Immediately start attacking anyone who might criticize the product before they ever do so. Make the customers and the fans into villains if they refuse to give you their money. Accuse them of bigotry and blame your inevitable failure on racism, sexism, misogyny, etc. It wasn't your fault that your story bombed, it is the fault of "incels" and "boomers" and all the uncultured swine out there filled with hate. They sabotaged you. They are the problem.

10) Rinse. Repeat.

Yes, it sounds pathetic but this is the state of entertainment today and it has been a pervasive problem for several years now. The industry has always had a bit of a progressive problem, but in the past, this was balanced out by more conservative business interests. But beyond that, liberals used to be more creative in general, now they are devoid of all imagination. Why?

My theory is that as progressives turned increasingly to the social justice cult, a wave of narcissism has suffocated any and all potential for creative freedom. Narcissists tend to have no imagination, and the woke ideology is essentially a religion for narcissists.

Social Justice is a system of belief that uses victim status as a currency. It tells its adherents that each one of them is so special and unique that the world revolves around them and their pronouns. It tells them that they are entitled to respect and admiration from everyone regardless of their lack of accomplishment, lack of knowledge, lack of talent, lack of beauty, lack of intelligence, lack of propriety, lack of restraint, lack of kindness, etc.

These people have no class and no shame, and they think this is a virtue, a strength. You are supposed to idolize them for it, and if you don't then you must be a fascist. How are you supposed to compose a tale that holds people's attention and touches their souls when you are so self-absorbed?

Storytelling requires several things in order to be successful, and they are all things that leftist have no concept of. You must have:

The ability to self-reflect, but also the ability to write characters outside of yourself. If you have to see yourself in every single character in a story and if every story has to represent you in some way, then you are a narcissist and you should abandon your dreams of writing now.

You need an inherent sense of story flow. Some people are naturally good at playing music. Good storytelling is a lot like music in the way plot points and emotions ebb and flow. Either you have the knack, or you don't. It's not something that can be learned.




You cannot tell a story with the intent to lie and propagandize. It is selfish and disrupts narrative flow. Even if the basic premise is good, the content will feel false and sometimes dated to audiences. People can feel when they are being lied to, or preached at. They might not know it at the time, but they will not return to your stories in the future. Their intuition will tell them not to.

Stories are usually built on basic archetypes. Archetypes are inherent psychological constructs that help human beings relate to each other and also help us relate to foundational morals and principles. Archetypes exist across cultures and across geopolitical boundaries. If we didn't have these constructs in our heads from birth, we would have destroyed ourselves thousands of years ago. You cannot change archetypes. They are eternal. Try to change them or deconstruct them and you will fail.

You are not entitled to an audience. The audience owes you nothing. Either your story is good and they relate to it, or your story is garbage and they don't relate to it. It's as simple as that. People are not required to consume your product to make a "political statement." And they are not evil for refusing to spend their money on propaganda. If you enter into storytelling with the intent to create conflict with your audience, then you are probably a bad storyteller.

Media and entertainment are the modern methods of passing on ideas and exploring debates within our culture, and when only one extreme viewpoint is represented within our story lexicon this creates chaos and imbalance in society. The woke movement has utterly poisoned our cultural well and it is incapable of addressing the basic functions of reflection. We cannot look at ourselves honestly through stories when liars and narcissists are in charge of the storytelling apparatus.

To truth and knowledge,

Brandon Smith

 

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Monday, November 18, 2019

How Communism Destroyed Hollywood & Is Destroying America


Poor Man Survival

Self Reliance tools for independent minded people…


ISSN 2161-5543

A Digest of Urban Survival Resources

 


Hollywood Communists-Never Fully Rooted Out

To this day Hollywood celebs attack America & Conservative values, & of course, anything Trump

When Ronald Regan took over as leader of the…

Paul Kengor’s The Crusader: Ronald Reagan and the Fall of Communism, contends that Reagan’s goal of defeating communism and winning the Cold War can be traced to his early struggles against communists in Hollywood as head of the Screen Actors Guild in the late 1940s. In this fight against an attempted communist takeover of the union, Reagan was, in the words of fellow actor Sterling Hayden, a “one man battalion.”

The Actors Guild in the 40s began to split among Communist members & those who did not support their highly dogmatic mantra.  One cannot argue w/ them as no matter what you say, they will twist it to suit their own purpose – hasn’t changed as one cannot argue w/ progressives/socialists/communists/Democrats.

In 1919, Soviet Communists created Communist International, also known as Comintern or Third International. The organization’s goal was to infiltrate Western culture with Marxist ideology. The Soviets determined that Hollywood must become a mighty weapon of communist propaganda for the advancement of their Marxist cause. Many Hollywood writers, directors, producers and even some movie stars became committed covert cultural-communist warriors working with Comintern in conveying in their cinema the glory of Stalin's Socialism.

Comintern created a number of Hollywood clubs and organizations, including the New Theater League, Hollywood Anti-Nazi League, and the League of American Writers. These Communist fronts pretended to be pro-American while also infiltrating Marxist anti-American ideas into Hollywood culture.

There were even more brazen overt Hollywood writers, directors, producers and actors who actually joined The Communist Party of the United States of America (CPUSA) and proudly spoke of their membership and dedication to the advancement of the Soviet-Marxist cause. Those who joined became Soviet patriots. Hollywood American members of the Communist Party were dedicated to what they called a Soviet America or the United States of Soviet America (U.S.S.A.). 
 
 
 

Hollywood figures, including film stars Fredric March, John Garfield, Paul Muni, and Edward G. Robinson, are named in a FBI report as Communist Party members. Such reports helped to fuel the anticommunist hysteria in the United States during the late-1940s and 1950s.

Uber Leftists such as Debra Messing and Robert De Niro use their pulpits to hurl foul language filled, poisonous diatribes against everything from the Covington School kids to Pres. Trump; setting a poor example for your people.

Communist infiltration of Hollywood became a national concern and drew the attention of J Edgar Hoover and the FBI which began investigating.  The House Un-American Activities Committee also began hearings [not to be confused with Sen. Joe McCarthy]…perhaps it is time to resurrect that committee again give the number of Socialist-Communists now infecting Congress.

Of course, one of the current standouts for many Americans, especially veterans is “Hanoi Jane’ Fonda who praised North Vietnam and met with them to undermine US efforts during the war. She has never been forgiven by many vets.
 
 

Fonda was also married to Tom Hayden, another anti-American 1960s radical and co-founder of SDS [Students for a Democratic Society], the seminal Leftist group, while attending the Univ. of MI.

As Fonda panders to the woke generation, many of the younger left-leaners think that she is just another run-of-the-mill hate America socialist. But they really need to get to know the real Jane Fonda better. As painful as it is, those of us who have been around a while can assist the process.

Years ago, in a shameless so-called protest of the Vietnam War, Fonda earned the name “Hanoi Jane.”

It was 1972, a time when America was still very much engaged in battle overseas, with so many of our hero soldiers serving on the front lines. Fonda did an infamous photo-shoot with the enemy. She slid into the seat of a communist North Vietnamese anti-aircraft gun vehicle and struck a pose. It was a horrifying sight, hurtful to our fighting men and women, our nation’s morale, and America’s heart.

Astounding that Fonda would be reliving her protest un-glory days this beautiful month of November, the month when the patriotic and grateful among us are pouring our hearts out to our beloved Veterans here and in heaven. We will never forget their love, honor, and sacrifice.


Learn more at:


 

POSTSCRIPT:

 


The Socialist-Democrats & their media so-conspirators, represent a national danger. Many of us fought against Socialists & Communists & now find we must destroy it in our own country.

Using a Soviet strategy called the ‘Popular Front,’ American Communists [during the Depression] tried enhancing their image pretending to be average Americans; ingratiating themselves with Hollywood stars, involvement as populists in government at all levels-they’re replicating that strategy now w/ help of Justice Democrats, an offshoot of the Communist PartyUSA. [This organization is responsible for recruiting many of the current Communists in Congress including AOC, Rashida, Omar & more].

 
As Winston Churchill noted, “Socialism is the philosophy of failure, the creed of ignorance, and the gospel of envy.” And education is the surest way to defeat it.

 
Manipulative Leftist media has launched a non-stop barrage of misleading anti-Trump propaganda to Kool-Aid guzzling sand-for-brains citizens who have been indoctrinated by socialist schools not to think [just what to think]…

 
Attorney General Bill Barr: "Among the militant secularism are many of the so-called progressives, but where is the progress? We are told we are living in a post-Christian era, but what has replaced the Judeo-Christian moral system?"

Orwell’s ‘Animal Farm’ aptly demonstrates those who rule & those who are ruled-that’s how socialism works. Property rights & our Bill of Rights would be gutted under socialist rule.

Our schools and media have become socialist house organs for the Left; hell bent on undermining our rights, private property rights, eroding the rule of law, etc.  We’ve long championed home schooling as a means of circumventing their agenda.  Here are a few organizations to consider patronizing:

·         The Avalon Project

·         Atlas Economic Research Foundation

 

·         The CATO Institute

 

·         Heritage Foundations

 

·         Hillsdale College*

 

·         Chapman University

 



 
Yours for a Free Nation,

Bruce ‘The Poor Man’

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” 48%: Who think “hate speech” “should be illegal.”

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1 in 5 US immigrants are here illegally; 63% get welfare [2xa more than native born]…20,000 migrants are kidnapped by cartels while headed to the US. [Amnesty Int’l]

 

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